that what is daring and fashionable today may be passé tomorrow. British artist James Mylne also recontextualizes rococo into urban counterculture. In De La Whatever, a wisp of woman in a red lace brassiereand pearls peeks through a dense collage of hearts, clouds, faces, andscrollwork, while in Portrait of a Lady, a demure woman in eighteenth-century fashion wears a padlock necklace in homage to punk style.Helen Gørrill’s rococo women also exhibit punk flair. Her updated Marie Antoinette sports a ruby lip, a tattoo, and a bright orange pompadour. Brazilian artist Lúcio Carvalho’s eighteenth-century fashionistasMikhail Gubin, Rococo (Marquis de Sade), wood, acrylic
